YouMI FACULTY
FESTIVAL
DIRECTOR |
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Erika
Miranda - Director Violin/Viola USA
Trained in the USA, (San Francisco Conservatory
of Music and St Louis Conservatory of Music),
UK (Anglo-American Chamber Music for Strings in
England), Canada (Johanessen International School
for the Arts) and France (European Community Baroque
Orchestra). She lived and worked in England for
many years taking additional training with Kato
Havas in Oxford .
For seven years, Erika was Principal for English
Festival Opera as well as playing for orchestras
such as London Schubert Players, London Apollo
Orchestra, and the City of Oxford Orchestra touring
and recording with these ensembles. While living
in Oxford she became a Founder/ Director of her
own ensemble and established two highly successful
concert series in collaboration with (and sponsored
by) the Oxford City Council and local businesses.
Ms. Miranda has also adjudicated for concertmaster
auditions at Oxford University.
For the last seven years, since returning to the
States, she has been on the music faculty and
directed programs for the musically eminent Crowden
School in Berkeley, California and has developed
a highly respected violin studio with many prize-winning
students. She has also acted as Interim-Director
for the Sacramento Youth Symphony Chamber Music
Program in 2002 and for the last two years has
been Head of Strings for the Berkeley Youth Orchestra
and helped implement and direct their chamber
music program.
In 2003 Erika collaborated with the Oxford Chamber
Music Course to bring gifted American students
to England to experience playing with English students. This collaboration then gave
birth to the idea of founding the British and
American Chamber Music Exchange which has now
become Youth Music International.
In 2006 YouMI launched the First International Youth
Music Festival in San Francisco in collaboration
with SF State University's School of Music and
Dance and the National Youth Strings Academy in
Britain. The festival brought together an eminent
international faculty from the US and UK as well
as 60 highly gifted students from California and
Britain. After an exciting masterclass given by
the Alexander Quartet, the festival culminated
with diverse and unforgettable performances at
three of the most historic landmarks in San Francisco:
Grace Cathedral, Mission Dolores and St. Mary's
Cathedral.
Erika has also been Principle for the Sacramento
Opera and Choral Society for the last seven years
and also continues to free-lance and play with
orchestras and chamber music ensembles in the
San Francisco Bay Area. |
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CHORAL
DIRECTOR 2008 |
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John
Cotton - Choral Director Countertenor UK
John's formal singing training began,
aged 7, as a chorister with the Southend Boys
Choir. Aged 9 he became a chorister (later Head
Chorister for 2 years) at Rochester Cathedral,
Kent, and a music scholar at the Choir School.
Aged 13, he was awarded a music scholarship to
Harrow School where he played Piano, Violin and
Organ. In his lower 6th year, John discovered
his falsetto and a term later was offered a choral
scholarship to Magdalen College, Oxford, where
he read Theology. After completing his degree,
he was invited to continue singing in the Magdalen
Chapel Choir as an alto Lay Clerk.
In 1999, John was appointed an alto Lay Clerk
at Christ Church Cathedral, Oxford, where he continued
to sing until 2007. During his first year at Christ
Church he studied as a postgraduate at Trinity
College of Music, where he gained a vocal diploma.
John has sung in London and abroad with a variety
of ensembles, including the Gabrieli Consort.
He has also performed on television and in a number
of films, including Longitude, How Music Works,
and Stage Beauty; and his voice has been featured
on a number of soundtracks, including Ever After
and most recently Mr Bean's Holiday. He can be
heard on dozens of recordings from each of the
choirs in which he has sung, including his last
recording with Christ Church, a critically acclaimed
account of Taverner's Missa Gloria Tibi Trinitas.
John's experience as a Choral Director began at
school and continued at university, where he was
director of the Magdalen Singers from 1996-7.
At Christ Church he founded, in 2001, an a capella
group, The Clerks of Christ Church, which has
performed in venues as various as Christ Church,
Oxford, Christchurch, New Zealand (where they
toured in 2002, 2003 and 2004), Le Manoir aux
Quatr'Saisons (Raymond Blanc's Restaurant and
Hotel), and Dorchester and Douai Abbeys, as well
as for the memorial service of Lord Jenkins, the
Chancellor of the University of Oxford, and in
the presence of the then Prime Minister Tony Blair.
In July 2004 The Clerks of Christ Church made
their film debut in Sir Richard Eyre's Stage Beauty,
starring Billy Crudup and Clare Danes. The Clerks
of Christ Church have signed exclusively to SOMM
Records. Their debut disc, In Pace, was released
in 2004, and was followed by A Garland of the
Elizabethan. A recording of Tallis' contribution
to the 1575 publication Cantiones Sacrae is to
follow shortly, all the music being edited anew
by John.
John has recently formed another group, The Renaissance
Men, with the intention of recording the complete
works of Tomas Luis de Victoria, using his own
editions. Their first recording, the Missa Pro
Defunctis (1583) and Officium Defunctorum (1592),
is due for release soon.
From 2006-7, John was Director of the Cherwell
Singers, an Oxford-based chamber choir. Concerts
included major programmes at Merton College Chapel,
Oxford and the Holywell Music Room, Oxford, as
well as smaller engagements. The choir made great
progress under John's direction, and was very
sad when, in 2007, he left to take up his current
role as Head of Music at Wychwood School in Oxford,
where he had conducted the Chamber Choir and taught
singing since 2003. John is now solely responsible
for the musical life of the school and recent
projects have included a highly successful production
of Purcell's opera Dido and Aeneas. He was present
as an observer at the 2007 International Youth
Music Festival in Oxford, UK and was asked by
Erika Miranda to direct the Choral Course which
is running in conjunction with the Chamber Music
Course for the first time at the 2008 Festival
in San Francisco. |
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ASSISTANT CHORAL
DIRECTOR 2008 |
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John Kendall Bailey - Associate Conductor USA
John Kendall Bailey is Music Director, Principal Conductor and Chorus Master of
Trinity Lyric Opera, Music Director and Conductor of Voices of Musica Sacra, Associate
Conductor of the San Francisco Composers Chamber Orchestra, and Artistic Director
of the San Francisco Song Festival.
In 1994, Mr. Bailey founded the Berkeley Lyric Opera and served as its Music Director
and Conductor until 2001. Since then he has been a guest conductor with the Oakland
East Bay Symphony, Oakland Youth Orchestra, and Oakland Ballet, and music director
and conductor for productions with North Bay Opera, Mission City Opera, Goat Hall
Productions, Solo Opera, the Crowden School and Dominican University. From 2002-2006 he was Chorus Master of the Festival Opera of Walnut Creek. He has recently conducted the premieres of two of David Conte’s operas, America Tropical and Famous, and has been guest conductor for the University of California-Berkeley Chamber Chorus and the University of California-Davis Chorus, Chamber Singers, and Alumni Chorus. Upcoming engagements include guest conductor with the American Philharmonic “Sonoma County and Music Director and Conductor for the Castro Valley Center for the Arts production of Carousel.
As a baritone, oboist, pianist, and lecturer, Mr. Bailey has appeared with numerous orchestras, choruses, and opera companies throughout the San Francisco Bay Area.
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MASTERCLASS
2006 and 2008 |
ALEXANDER
QUARTET USA
Zakarias Graffilo violin
Fred Lifsitz violin
Paul Yarbrough viola
Sandy Walsh-Wilson cello
At home in San Francisco,
the members of the Alexander String Quartet are a major
artistic presence, serving as Ensemble in Residence
of San Francisco Performances and as directors of the
Morrison Chamber Music Center at the School of Music
and Dance in the College of Creative Arts at San Francisco
State University.
The Alexander String Quartet was formed in New York
City in 1981 and the following year became the first
string quartet to win the Concert Artists Guild Competition.
In 1985, the Quartet captured international attention
as the first and only American Quartet to win the London
International String Quartet Competition, receiving
both the jury's highest award and the Audience Prize.
In May of 1995, Allegheny College awarded Honorary Doctor
of Fine Arts degrees to the members of the Quartet in
recognition of their unique contribution to the arts.
Honorary degrees were conferred on the ensemble by St.
Lawrence University in May 2000. |
MASTERCLASS
2007 |
Photo by Hanya Chlala -
ArenaPAL.com |
Guy Johnston
- Cellist UK
BBC Young Musician of the Year
in 2000, Guy Johnston's teachers have included
Doane and Kirshbaum. Projects in 06/07 include
performances of the Elgar Concerto with the Royal
Scottish National Orchestra, the Walton Concerto
with the BBC Philharmonic and Tchaikovsky's Rococo
Variations with the St. Petersburg Symphony; Guy
looks forward to working in future seasons with
the Deutsches Sinfonie Berlin (Brahms Double Concerto
with Sophia Jaffe), the Philharmonia and Camerata
Ireland (Schumann and Tavener). Guy has also collaborated
with the BBC Symphony at the Proms, as well as
orchestras including the City of Birmingham Symphony
Orchestra, the Frankfurt Radio Symphony and the
Osaka Philharmonic, and has worked with Vassily
Sinaisky, Yan Pascal Tortelier, Alexander Dimitriev
and Leonard Slatkin. Guy Johnston performs regularly
at Wigmore Hall, and has recently joined the BBC
New Generation Scheme with the Aronowitz Ensemble,
with whom he will be giving future concerts at
many of the major music festivals at home and
abroad. More Information at : www.imgartists.com.
Guy plays on a rare cello made by Pellizon dated
1820. |
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Laura
Samuel - Violinist, Belcea Quartet UK
Established
whilst studying at the Royal College of Music
in 1994, the Belcea Quartet has quickly gained
a reputation as one of the world's leading chamber
ensembles. They represented Great Britian in the
ECHO Rising Stars series and were selected for
the BBC Radio 3 New Generations scheme from 1999
to 2001. They won first prizes at both the Osaka
and Bordeaux International String Quartet Competitions
in 1999 and the Royal Philharmonic Society's Chamber
Music Award in both in 2001 and 2003. In 2001
the quartet began an exclusive recording contract
with EMI and won the Gramophone Award for the
Best Debut Recording. Their future recording plans
for EMI include the complete Bartok quartets.
The Belcea Quartet's international engagements
take them to the Vienna Konzerthaus, Amsterdam's
Concertgebouw, Brussels' Palais des Beaux Arts,
New York's Carnegie Hall and the Chatelet in Paris
and to festivals including Luberon, Istanbul,
Trondheim, Lausanne, Salzburg and the Schwarzenberg
Schubertiade. In the UK they regularly appear
at the Bath, Petworth, Cheltenham, Aldeburgh,
Perth and Edinburgh festivals and at Wigmore Hall
where they were resident Quartet from 2001 to
2006. More info at : www.emiclassics.com/artists.php |
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Caroline Balding -
Violinist (UK) (2007 - Oxford)
of "poetic intensity" ( Music and Musicians),"rapt beauty"
and "virtuosic distinction" (Gramophone) is a chambermusician,
also leading and directing ensembles across Britain. She was
awarded a scholarship to the Royal Academy of Music to study
with Emanuel Hurwitz, winning eight prizes there, and formed
a close association with the Britten Pears School, taking
part in masterclasses and becoming leader of the orchestra.
As the violinist with the chamber ensembles Gemini and Lontano,
amongst others, she has given recitals throughout the world
at such venues as La Fenice in Venice, the Wigmore Hall, London,
and the Amsterdam Concertgebouw, and gave the Taiwanese premiere
of " Quartet for the End of Time". Often to be heard on BBC
Radio 3 and numerous other European radio stations, she also
participated in the series "Women in Music" for Channel 4
television. She made her second solo Proms appearance in 1999
with Lontano and has been leader of the Kent Opera Orchestra
since 1998. Caroline enjoys a vast spectrum of musical activities.
She has had the privilege of being part of very many premiere
performances and working alongside the foremost composers
of our day. Wielding a baroque violin, she has appeared as
guest leader with Florilegium, The English Concert and the
Hanover Band,in addition to being first violin of "The Band
of Instruments" based in her home town of Oxford.
Deirdre Cooper- Cellist
(UK) (2007 - Oxford, 2006 & 2008 - San Francisco)
Born in Edinburgh, Deirdre emigrated to the US and studied
both cello and extensive chamber music in California and New
York with Colin Hampton, Bernard Greenhouse & Zara Nelsova.
She has received numerous chamber music and concerto prizes
both as a student as well as a professional and has been a
soloist with many orchestras in both the US and UK including
the San Francisco Chamber Orchestra, Scottish Ballet Orchestra
and the Glasgow Chamber Orchestra. Deirdre has also been principal
cellist with the Scottish Ballet Orchestra and sub-principal
of The BBC Scottish Symphony as well as a guest principal
cellist with the Philharmonia Orchestra-London, BBC Scottish
Symphony, the Scottish Chamber Orchestra, London Musici, Sinfonia
21, English Sinfonia and other orchestras and ensembles both
in the UK and the USA. She was a member of the Robert Bloch
String Quartet (quartet in residence at UC Davis) playing
Baroque and classical repertoire on period instruments and
also commissioning many new works by American composers. She
has championed new music with both the Hebrides and Paragon
Ensembles of Scotland as well as playing with the Philharmonia
Orchestra-London soloists and the Edinburgh String Quartet.
For several years now, Deirdre has been a member of the Smith
quartet which specializes in performing contemporary works
both acoustic and with tape and/or live electronics. The quartet
has commissioned many works and has performed throughout the
UK, Europe, Japan, South America and Canada. They have recorded
for Sony, Decca, BMG and others and on radio for BBC Radio
3 and Classic FM and BBC2's the Culture Show with Steve Reich.
Their latest album 'Different Trains' has received rave reviews
from the press and radio around the world.
Photo by John G. VanWinkle |
Don
Ehrlich - Violist (USA) (2006 - San Francisco)
Until his recent retirement, Don was Assistant Principal
Violist of the San Francisco Symphony. He holds degrees
from the Oberlin Conservatory, Manhattan School of Music,
and the University of Michigan, where he earned his doctorate.
A dedicated music educator, he is a longtime faculty member
at the San Francisco Conservatory of Music and coaches
young musicians each Saturday for the San Francisco Youth
Orchestra. Mr. Ehrlich was a founding member of the Aurora
String Quartet and a member of the Stanford Quartet, and
he is a regular at the Mendocino Music Festival. He plays
a special ergonomic viola made by David Rivinus of Portland,
Oregon. Don's latest CD, "The Six Cello Suites of
Bach" (arranged for viola), is available exclusively
through the SF Symphony Store, or online at www.shopsfsymphony.org
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Jacqueline
Johnson - Cellist (Australia) (2007 - Oxford),
graduated from the Victorian College of the Arts in Melbourne,
Australia. During her studies there she took part in masterclasses
with cellists Rohan da Sarem, Anner Bylsma and Paul Tortelier.
She was a full time member of the Melbourne Symphony Orchestra,
played with the Australian Opera and Ballet companies
and broadcast and recorded recitals for the Australian
Broadcasting Corporation. She gave many solo and chamber
recitals throughout Australia, and also in China and Hong
Kong and made several recordings and CDs. On moving to
the United Kingdom in 1990, Jacqueline undertook further
study with Christopher Bunting, and has also received
coaching from Steven Isserlis and Colin Carr. Now based
in Oxford, Jacqueline freelances combining chamber music
and solo performances with orchestral work and teaching.
Recent concerto performances include Dvorak Concerto,
Brahms Double Concerto, Tchaikovsky's Rococo Variations,
Shostakovich Cello Concerto, no 1, and Schumann concerto. |
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Andrew
MacDonald - Violin (UK) (2007 - Oxford),
was awarded the Laurence Turner Prize at Huddersfield
University where he was also greatly involved in the Contemporary
Music Festival. He has also studied at the National Centre
for Orchestral Studies. He is now a highly respected teacher
for the London Borough of Enfield and at the Hall School
Hampstead, where he has helped build a thriving chamber
music program. Several of his groups have reached the
finals of the National Chamber Music Competition and the
Youth and Music Festival. For 10 years he was also the
leader of Redhill Sinfonia. |
Victor Romasevich
- Violinist/Violist, (USA) (2006 - San Francisco),
was born in Minsk, Belarus, and as a youth studied with Rostislav
Dubinsky of the famed Borodin Quartet. He continued his training
at the Moscow Conservatory and, following his emigration to
the United States in 1977, at Juilliard with Ivan Galamian.
In 1979 he became a violin and viola pupil of the composer
and philosopher Iosif Andriasov. Winner of the Gina Bachauer
Prize at the 1985 J.S. Bach International Competition, Mr.
Romasevich joined the San Francisco Symphony Orchestra as
Associate Principal Violist in 1990 and in 1992 moved to the
First Violin section. He appears frequently in recitals and
chamber concerts as a violinist, violist, and keyboard player.
James Ross - Conductor
(UK) (2007 - Oxford, 2008 - San Francisco),
won scholarships to Harrow School in London and to Christ
Church at Oxford University. There he studied history, took
a master's degree in music and a doctorate on French opera
under Roger Parker, winning the Sir Donald Tovey Prize. He
was a finalist in the BBC Philharmonic Orchestra's 1998 Conducting
Competition and since then has conducted in Austria, Bosnia,
Canada, China, Czech Republic, France, Hungary, Italy, Serbia,
Spain, Sri Lanka and the USA.
He is the Music Director of St Albans Symphony Orchestra,
Oxford's Christ Church Festival Orchestra, Sidcup Symphony
Orchestra, Welwyn Garden City Orchestra and Chorus and the
Royal College of Paediatrics Orchestra and Chorus. From September
2007 he will also be Music Director of Haslemere Symphony
Orchestra and Chorus. Previous positions include conductor
of Oxford University Sinfonietta. He has performed in leading
UK concert halls, including Symphony Hall, Birmingham, St.
John's Smith Square, London, and the Sheldonian Theatre, Oxford.
He has conducted over 600 works, ranging from the Baroque,
most of the standard symphonic and choral repertoire, to contemporary
music by Boulez, Knussen, Ligeti, Stockhausen and many more;
accompanying includes Mahler, Lieder eines fahrenden Gesellen
with Sir Thomas Allen, Elgar 'Cello Concerto and Tchaikovsky
Rococo Variations with Guy Johnston, and concerts with members
of The National Opera Studio; major 20th-Century works include
Stravinsky, The Rite of Spring; Janácek, Sinfonietta and Bartók,
Music for Strings, Percussion and Celesta. He has also conducted
much specialist French music and has a strong interest in
modern music.
Numerous first performances including a New Music Day with
Roxanna Panufnik and members of the City of London Sinfonia
on 14 May, supported by the Arts Council, and on 3 July he
conducted Schoenberg's Pierrot Lunaire at the Jacqueline du
Pré Hall, Oxford. In 1996 he was an assistant for Bernard
Haitink's Don Carlos recording with The Royal Opera, London.
His teachers have included Tsung Yeh (USA / Hong Kong), Zdenek
Bilek (Czech Republic), Victor Feldbrill (Canada), Ernest
Schelle (Switzerland) and Alan Hazeldine (UK); he has also
received advice from Bernard Haitink, Paul Daniel, Peter Donohoe,
Sir David Willcocks and Sir Charles Mackerras.
He is a frequent guest speaker, including at the Bibliothčque
Nationale de France; he has also taught at Oxford University
and contributed to Music and Letters (Vincent d'Indy's Fervaal,
2003), Opera, English Historical Review, Musical Times and
is a co-author of Vincent d'Indy et son temps and French Music
Since Berlioz, published this year. He is a member of the
Performers and Composers Section of the Incorporated Society
of Musicians (UK), of the Conductors Guild (USA) and American
Symphony Orchestra League. More information at: www.James-ross.com
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Glen
Sheldon - Violin/Conductor (UK) (2007 - Oxford),
was already appearing as soloist while in school and was
also Concertmaster for the Jewish Youth Orchestra. He
was awarded the Peter Latham Prize in Musicology at the
Royal Academy of Music and the Robert Naylor Recital Prize
at Surrey University. He is now a member of the orchestra
for English National Opera and has been in demand as an
orchestral leader and soloist. His playing has been described
in reviews as "eloquent and moving". Both he and Andrew
MacDonald (above) are also tremendously dedicated to their
String Quartet Anything Goes which has always committed
itself to performing both classical string quartet repertoire
and their own colourful arrangements of light music. "I
was very impressed with the high standard and flexibility
of ANYTHING GOES" Senior Producer, Nigel Acheson, BBC
Radio 4. |
Jassen Todorov -
Violinist (USA) (2006 - San Francisco),
first came to international attention after his Carnegie-Weill
Recital Hall debut in 1999. Since then he has released two
solo CDs featuring works by Brahms as well as contemporary
composers. He tours regularly as a soloist and chamber musician,
and has recently performed both the Sibelius and Mendelssohn
violin concertos in European venues. Mr. Todorov is currently
completing his DMA at the Eastman School of Music in Rochester,
New York, from which he also received a Master of Music Degree
in the year 2000.
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Christopher
Windass - Violin/Viola (UK) (2007 - Oxford)
Chris studied Violin and Viola at Birmingham Conservatoire
under Ernest Element, John White and Peter Thomas. While
at Birmingham, Chris became a member of the string quartet
in residence at the college sponsored by BRMB radio and
gave numerous concerts throughout the country playing
in many major festivals. He continued his studies privately
with Emmanuel Hurwitz , David Takeno and Manoug Parikian.
Chris leads a busy career both as a orchestral player
and chamber musician appearing with groups ranging from
the Medici and Brodsky string quartets to the Philharmonia
Orchestra ,Royal Philharmonic Orchestra and English Chamber
Orchestra. Chris has always had a passion for chamber
music which lead him to establish the now famous Oxford
Coffee Concert series in the Holywell Music Room on Sunday
mornings and Music in Adderbury. In 1986 he set up the
Adderbury Ensemble, a flexible group of players performing
string quartets and expanding on occasions up to orchestra
size large enough to play Beethoven Symphonies (never
with a conductor!) The group has an increasingly busy
schedule of concerts and recording both in UK and Europe. |
International Youth Music Festival 2006 also included:
The NYSA Faculty
Roger Garland-Violinist, (UK),
studied the violin with Manoug Parikian whilst reading Music
at Cambridge. In 1969, he joined the English Chamber Orchestra,
combining this with recital and solo work throughout the country.
In 1973, he joined the Academy of St Martin-in-the-Fields
with whom he has made many solo appearances and broadcasts
in Europe, North America and Australia. He has also appeared
as soloist in broadcasts for the Chichester Festival and the
Flanders Festival. He has broadcast solo recitals and chamber
music on B B C Radio 3 and is a keen champion of 20th century
music, his latest CD being of the Trio by Michael Finnissy
on Et Cetera Records with the Gagliano Trio. He also leads
the Guarnerius String Quintet.
Levon Parikian- Conductor,
(UK),
studied conducting with George Hurst and, at his encouragement,
auditioned successfully for a position in Ilya Musin's class
at the St. Petersburg conservatoire. Here he gained an insight
into Musin's rigorous technique of conducting, which has influenced
generations of Russian conductors. Since his return from Russia,
Levon has pursued a freelance conducting career, and is much
in demand as Guest Conductor with orchestras in Britain. He
currently holds Principal Conductor posts with several London-based
orchestras, and is Chief Guest Conductor of the City of Oxford Orchestra. He was recently
appointed Conductor of the Royal College of Music Junior Sinfonia,
Visiting Guest Conductor at Royal Holloway University of London,
and Artistic Director of The Rehearsal Orchestra. He has also
worked with, among others, English Sinfonia, European Chamber
Opera, City of Southampton Orchestra, and the Royal Orchestral
Society. Levon has been Assistant Conductor on recordings
with the Philharmonia and the Academy of St. Martin-in-the-Fields
and to Sir Simon Rattle in The Rehearsal Orchestra's weekend
on Bruckner's Ninth Symphony.
Viviane Ronchetti- Violinist, (UK),
was awarded an Exhibition from the Royal Manchester College
of Music to study the violin with Endre Wolf at the age of
13. She won several awards at the RMCM and continued her studies
with Alexandre Moskovsky and Manoug Parikian. She has freelanced
with the major London chamber orchestras and, as a member
of the Park Lane Sextet, has appeared at the Purcell Room,
Wigmore Hall and on Radio 3. She has held Head of Strings
positions at both Harrow School and Queenswood School. She
is Director of the National Youth Strings Academy - the nationwide
string chamber orchestra dedicated to furthering the musical
education of talented young string-players aged 11-21. She
is a violin professor at the Guildhall School of Music and
Drama, Junior Department and has recently become an adjudicator
for The British and International Federation of Festivals.
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